Cruising
to Polynesian Paradise
aboard the ms Paul Gauguin
Text and photos by Toby Saltzman
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Tahatian
dancers learn their
metier at a young age.
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The little girls wiggled in their grass skirts as the vahines pinned
floral crowns on their indigo hair and cupped pearly shells on their
chests. Their costumes done, one by one, they began practicing the
tamure, a hip-thrashing dance that quickened to a wild tempo. When
the drummers, guitarists and flutists (the last of whom, by the
way, played their instruments with their noses) shifted to a melody,
the girls switched modes, and began dancing the slow-moving hura.
Their eyes twinkled brightly. They knew that long hours of practice
meant they were able to perform this beguiling, hip-sashaying dance
perfectly, right down to its traditional Tahitian curtsey.
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Glamor at
the Beachcomber
Resort in Tahiti.
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"La Orana, hello," I said, wiggling my finger in a come-hither
motion. "May I take your picture?" After one vahine signaled approval,
the girls posed, then curtsied gracefully, as if I'd honored their
beauty by photographing them.
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Sybaritic
life at Tahiti's
Beachcomber Resort overlooking
the island of Moorea.
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No wonder Polynesian dancers have such captivating grace, I thought.
They learn young. By now, while sailing on the ms Paul Gauguin,
we'd discovered that French Polynesia's Society Islands, which rise
like sculpted emerald peaks from crystalline lagoons, have a seductive
beauty of their own. It's easy here to slip into the Tahitian mode
of "haere maru", or "take it easy".
Our ship - the intimate Paul Gauguin - was inspired by the Postimpressionist
painter who fled France and his lucrative stockbroker career in
the 1890s for a blissful life in primitive Tahiti. Crafted like
a luxurious large yacht, it showcases the islands' easy nature.
Tahiti is the largest of the 115 Society Islands which include
Raiatea, Tahaa, Bora Bora, Moorea, and the coral atoll of Tetiaroa
(Marlon Brando's private retreat). Their wild tropical beauty excited
Robert Louis Stevenson to pen "Treasure Island" and "Kidnapped".
Lush Moorea inspired James Michener and the fabled Bali Hai of the
musical, South Pacific. Long before the writers arrived, Tahiti's
luscious fruits and beautiful women, enticed the Bounty's sailors
to choose "paradise" over torment by Captain Bligh.
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The Paul
Gauguin in the crystalline
waters of Bora Bora Lagoon.
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Dubbed the Island of Love, fragrant Tahiti comprises two extinct
volcanic peaks perfumed by gardenias. Imagine our glee on arriving
at the Beachcomber resort. Our thatched-roof hut was perched on
stilts in the opalescent lagoon, steps from a sugary beach and pool
facing the island of Moorea across the sea.
Exploring Tahiti by jeep, we found there's more to "paradise" than
first greets the eye. After relishing its natural beauty, marked
by white-sand and black-volcanic beaches, romantic grottoes skirted
by wildflowers, and dense rainforests cooled by high waterfalls,
we were sobered up considerably by pockets of overwhelming poverty
near Papeete harbour and in the island's interior.
And for all its renown, the Paul Gauguin Museum has little artistic
grace. Except for a few woodcuts and wooden utensils, it lacks the
artist's original works. A collage of prints maps out where Gauguin's
works exist around the globe. Another illustrates his life. Its
one redeeming quality: The museum's seaside garden setting is lovely,
adorned by ancient tiki gods, exquisite in their naïve simplicity,
and paintings by unknown artists mimicking Gauguin's inimitable
style.
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Tendering
ashore from the Paul Gauguin to Bora Bora.
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When the Paul Gauguin dropped anchor in Raitea lagoon, a sailboat
carried us on a snorkeling expedition to a motu, a tiny islet in
the lagoon. Others participated in the ship's accredited scuba dive
program, or drove with a paleontologist to marae ruins (stone structures
akin to temples) where ancient Polynesian tribes celebrated mystic
rituals.
Early next morning, the ship's crew staged a lavish beach party
on a sandy motu in Tahaa lagoon complete with Polynesian entertainers
and kayaks beached on white sand. We were greeted ashore by crew,
wading waist-high in water, carrying silver trays with flutes of
chilled champagne.
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A secluded
beach at Bora Bora.
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Two days anchored in dreamy Bora Bora lagoon were pure paradise.
A jeep safari up rough mountain roads led to dazzling views of its
multi-hued water. While others went deep-sea fishing, shark feeding,
flight-seeing or parasailing, we scooted around Bora Bora on wave
runners, stopping for a cool swim at a pristine motu.
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Exploring
the wild hilly terrain of
Bora Bora.
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A volcanic island twice as old as Tahiti, this lush paradise of
six mountains sculpted into jagged-edged profiles by wind and rain,
and edged by champagne beaches, is home to California's Berkley
University of Marine Studies, where a marine biologist is studying
the Spinner dolphins. Though the famed acrobatic mammals eluded
our sailing expedition, a marine biologist gave a fascinating explanation
of their plight to survive. Then we dropped anchor and snorkeled
around the brilliant coral reef. Those who ventured to protected
waters to swim with dolphins or stingrays, raved about close encounters
with the creatures, not to mention scratches by prickly sea urchins.
Tahiti's Haere maru - take it easy mantra - suits the ms Paul Gauguin
fine. Cleverly designed for spacious illusions, the compact ship boasts
vast windows that meld scenery and sunshine into a memorable Polynesian
experience.
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The Paul
Gauguin lowers its marina brimming with windsurfs, kayaks,
and outriggers in the lagoon.
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Impressions of Gauguin adorn the vessel. In one foyer, original woodblocks
and a bronze sculpture join a brightly appliqued tifaifai (traditional
quilt). Stateroom hallways are graced with etchings depicting Tahiti's
primitive beauty. The staterooms, half of which boast verandas, are
embellished with native woods and mirrors that reflect fabrics in
soft shades of sunsets and sapphire seas.
If ever a ship proved that formal attire, de rigeuer on most ships,
is a frivolous imposition, the Paul Gauguin does so in haute style.
Jackets are never required. Meals were sumptuous events with well-matched
wines, whether we dined alfresco in the Grill (the casual deck-top
eatery that serves abundant breakfast and lunch buffets, and grilled
fish, seafood and meats at dinner), or in the signature restaurant,
L'Etoile (choosing from its classic continental menu), or in La
Veranda (on a five-course Italian repast or French feast created
by Chef Jean-Pierre Vigato whose famed Apicius restaurant in Paris
boasts two Michelin stars).
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Tahiti Lagoon
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The 206-member crew and Gaugeens - the ship's Polynesian hostesses
- cater to 320 guests. A roster of programs - ranging from Tahitian
dancers to marine lectures - added to the excursions and program at
the ship's French Carita Spa. When the Paul Gauguin dropped anchor
in tranquil lagoons, it lowered a marina brimming with windsurfs,
kayaks, and outriggers. Blissfully, we whiled away our last afternoon,
kayaking in a lagoon cloistered by the jagged peaks of Moorea's chiseled
silhouette, paddling ashore only to see Polynesian dancers practice
their metier at the waters edge.
Details:
The ms Paul Gauguin, operated by Radissson Seven Seas, sails
from Tahiti. The all-inclusive cruises include air fare,gratuities,
wine at meals, a fully-stocked ensuite bar, use of water-sports
equipment, plus a useful guide-book to French Polynesia. Radisson
Seven Seas Cruises: 800-333-3333
Toby Saltzman is an award-winning travel writer and photographer.
She is publisher and editor of www.travelterrific.com.
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